Up on the Housetop
No No No! You shouldn’t go!
No No No! You shouldn’t go!
All through the Mansion, there goes Jack!
Down through the graveyard with his sack!
Over the Graveyard
Over the graveyard and through the tombs
A happy haunt’s delight!
Oh, feel the chill of ghost goodwill!
Come scream on Christmas Night!! Ahhh!
We Wish You a Scary Christmas
We wish you a scary Christmas!
We wish you a scary Christmas!
We wish you a scary Christmas
And a Haunted New Year!
22 May 2009
The chill of ghost goodwill
When D23 took over the presenting duties of Walt Disney – One Man’s Dream, there was very little in the way of changes made to the displays. The most dramatic change, however, was the addition of an office behind glass. The office, belonging to Senior Vice President for Walt Disney Imagineering Eric Jacobson, typified a classic workspace of a Disney enthusiast. Complete with figures and figurines, buttons, shelves filled with books new and old, art, and even the occasional prop or piece from the theme parks, the office certainly reminds me of people I know, right down to the cluttered desk top.
One of the more unique items found in the display is a copy of three scarols, from A Book of Scarols. Scarols use traditional Christmas carol melodies and apply new, ghostly and grim, lyrics. A series of ten scarols have been known to be sung throughout the Haunted Mansion Holiday at Disneyland. Those ten scarols are the Elfman Medley, God Rest You Merry Grinning Ghost, Grim Grinning Ghosts, Old Mansion Tree, Over the Graveyard, Scary Bells, The 13 Days of Christmas, Up on the Housetop, We Wish You a Scary Christmas, and Wreck the Halls.
Displayed on the desk are the lyrics to Up on the Housetop, Over the Graveyard, and We Wish You a Scary Christmas. In order for you to be able to scare up the spirit of whatever season you would like to use scarols for, here are the lyrics for those three songs.
21 May 2009
Galeria de la Fuente
20 May 2009
Laugh and play and learn
I believe at some points it is always a good idea to take pause and remember where we began. The same holds true for Walt Disney World and the four parks held within its borders. In order to realize the dreams of tomorrow, one cannot forget about the founding principles of a park, as set forth by their dedications. Luckily, observant guest do not have to venture through various archives to find these dedications, as they have each been engraved and immortalized near their home park’s entrance gates.
Walt Disney World and the Magic Kingdom
Walt Disney World is a tribute to the philosophy and life of Walter Elias Disney and to the talents, the dedication, and the loyalty of the entire Disney organization that made Walt Disney’s dream come true. May Walt Disney World bring Joy and Inspiration and New Knowledge to all who come to this happy place… a Magic Kingdom where the young at heart of all ages can laugh and play and learn – together.
Dedicated this 25th day of October, 1971
Roy O. DisneyEPCOT Center (Epcot)
To all who come to this Place of Joy, Hope and Friendship
Welcome
Epcot is inspired by Walt Disney’s creative vision. Here human achievements are celebrated through imagination, wonders of enterprise and concepts of a future that promises new and exciting benefits for all.
May EPCOT Center entertain, inform and inspire and above all, may it instill a new sense of belief and pride in man’s ability to shape a world that offers hope to people everywhere.
E. Cardon Walker
Chairman and Chief Executive Officer
Walt Disney Productions
October 24, 1982Disney-MGM Studios (Disney’s Hollywood Studios)
The World you have entered was created by The Walt Disney Company and is dedicated to Hollywood – not a place on the map, but a state of mind that exists wherever people dream and wonder and imagine, a place where illusion and reality are fused by technological magic. We welcome you to a Hollywood that never was – and always will be.
May 1, 1989
Michael D. EisnerDisney’s Animal Kingdom
Welcome to a kingdom of animals… real, ancient and imagined: a kingdom ruled by lions, dinosaurs and dragons; a kingdom of balance, harmony and survival; a kingdom we enter to share in the wonder, gaze at the beauty, thrill at the drama and learn.
Dedicated this 22nd day of April, 1998
Michael D. Eisner
The miracle that I've been dreaming of
And yes, this “What are you doing, get away from me, you crazy man” look she has in this picture is, by and large, the manner in which she conducts herself with me.
Happy Birthday, my love!
19 May 2009
Work magic in our kitchens
There are formulas for just about everything. While some may be more about the spoken word and the information exchanged, such as the formula for what makes a fundamentally sound guest experience, others are indeed all about the numbers. Even sweet treats are not immune from appetizing equations, as is made evident by the photographs below. While the Goofy Candy Co. displays a few of its mouthwatering blueprints over at Epcot’s MouseGear, the Evil Queen and her tempting tricks appear in a more old-fashion form..JPG)
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Tigers in this forest
During the course of my last trip, I took several trips into the jungles of Anandapur and forests of Pangani. These trails offer some of closest and native environments for viewing the creatures that we share the planet with. Often, as it was on the days I visited Disney’s Animal Kingdom, these lesser experienced attractions were bypassed in favor of Dinosaur and Expedition Everest. For guests like myself who enjoy the time they have to be in the company of animals, the fact that the trails are not as crowded as they could be is a boon we cherish, but I also feel sorry for those who are missing out on these encounters.
While strolling along the Maharajah Jungle Trek, I was informed that the tigers were out in about. Almost all of the tigers I discovered were in a state similar to this:
It did not appear angry or annoyed, more curious, but for approximately fifteen seconds I was nose-to-nose and eye-to-eye with a tiger, with only a piece of glass between us. To say that it took my breath away would be a gross understatement. I savored my moment with this majestic creature before the tiger jumped down and continued to move about the enclosure. Honestly, even though it was only ten o’clock in the morning, the rest of my day would pale in comparison.
It is an encounter that I know I will never forget, and a story I wish I heard more often from other guests. While the trails and exhibits of Disney’s Animal Kingdom offer shade from the Florida sun, a vast amount of information on the animals of the planet, and quality time with the same creatures, they are not fulfilling their full potential as guests are not taking the time for these experiences. It is a shame to see such a treasure trove go unnoticed, and I hope a situation that is remedied as more and more guests find the true joys of Disney’s Animal Kingdom.
18 May 2009
First inhabitants of Norway
During the 2009 International Flower and Garden Festival, Norway’s trolls escaped from the Puffin’s Roost and descended upon the unsuspecting gardens of the pavilion. Numbering twenty in all, most of the trolls seemed content to stay clear of the actual flowering beds and to stick to the eaves and windowsills of the various buildings in the area.
17 May 2009
Blaine Gibson – Capturing the Spirit
Cinderella Castle can be seen from just about everywhere within the Magic Kingdom. While it may be the most often photographed structure in the world, the Partners sculpture that adorns the Hub in front of the castle has gathered its own dedicated following in the years since its unveiling. The statue, which features Mickey and Walt Disney surveying the landscape, was originally created for and positioned at Disneyland in 1993 before being duplicated for the Florida property in June of 1995.
Designed and sculpted by Blaine Gibson, the Summer 1991 issue of Disney News featured an article on Blaine Gibson’s life and career, with a particular interest in his work with Partners. The article, Blaine Gibson – Capturing the Spirit, was written by Scott Elmore.
Designed and sculpted by Blaine Gibson, the Summer 1991 issue of Disney News featured an article on Blaine Gibson’s life and career, with a particular interest in his work with Partners. The article, Blaine Gibson – Capturing the Spirit, was written by Scott Elmore.
As you stand in the ‘hub’ of Disneyland – the circular park at the end of Main Street, U.S.A. – you can almost feel the presence of Walt Disney. Soon, you’ll actually be able to see him as well. Later this year, Disneyland will unveil a new tribute to its creator: a bronze statue of Walt Disney and Mickey Mouse standing hand-in-hand, gazing down Main Street. To create this memorial, Walt Disney Imagineering selected renowned sculptor – a man who had developed a close working relationship with Walt during the building of Disneyland – Blaine Gibson.
Gibson started his career at the Disney Studios in 1939 as an apprentice animation artist. Beginning as an “inbetweener” for the cartoon short “Bone Trouble,” he soon worked his way up to the feature animated films.
“Walt was very informal at the Studio, always walking the halls,” Gibson remembers, “I had talked with him many times, but I really didn’t know him until we started working on Disneyland. Walt had noticed the sculptures in my office, ones I had done in my home, and he asked me if I would come over and sculpt for the Park.”
Gibson’s first sculptures for Disneyland included Indian chiefs and mermaids. Soon he found himself working on pirates and presidents.
“I had a chair in my studio at Imagineering,” he recalls, “and Walt used to come in all the time, sit down, and say, ‘What are you up to, Blaine?’ He was always interested in everything we did.
“That’s what impressed the most about him, his enthusiasm,” Gibson says. “For instance, when we were working on the bathing elephants scene for the Jungle Cruise, he acted out the part of the elephant up on the shore. Walt climbed up on a chair and even scooted his pants down a little to get that baggy elephant skin effect,” Gibson chuckles.
Blaine Gibson retired from Walt Disney Imagineering in 1983 and moved to Sedona, Arizona with his wife, Coral. However, he still does projects for Disney now and again, such as the statue of Walt and Mickey for Disneyland.
“I chose to depict Walt as he was in 1954,” he explains. “I think that was when Walt was in his prime. It was tough trying to match the media image of Walt Disney, the one the public knows, to the real Walt, the one we knew.
“I don’t like to leave a sculpture until it has a feeling of life,” he continues. “I had done a bust of Walt in terra cotta while he was alive, but it wasn’t right. I hope this time I’ve captured that magical spirit of his.”
The statue will be larger than life, to match Walt’s image, coming in at six feet, five inches. The base will be designed so that it will be easy for guests to get in close for their pictures. Facing towards Main Street, the bronze image will have the perfect backdrop – Sleeping Beauty Castle.
When asked what expression he was trying to achieve in Walt’s face, Blaine Gibson replied, “I think Walt is admiring the Park and saying, ‘Mickey, look what we’ve done.’”
16 May 2009
Happy places
15 May 2009
Rattle our quills
Like all exhibits and experiences within Disney’s Animal Kingdom, these signs, and their ability to impart a lasting impression is based solely on the guests ability to slow down, take some time, and explore the often overlooked aspects of the park. This isn’t to say that guests shouldn’t be walking quickly towards Kilimanjaro Safaris or Expedition Everest as the park opens, but they should also find time to experience the exhibits and attractions that feature the park’s stars, the animals, before rushing off to another park at midday. The rewards of using curiosity, imagination, and a relaxed pace can truly offer many one of a kind rewards.
14 May 2009
We have no time to stall
The Main Street Gazette household has a new car in the driveway starting this week. In honor of this I thought would take a look at a classic car that is on display at Disney’s Beach Club Resort. This 1927 Chevy Depot Wagon, otherwise referred to as a Woody Huckster, sits in front of the lobby. Among its very stylish details are bench seats within the wood cabinet area, a single manual windshield wiper, and a wooden steering wheel.
Antique and elegant automobiles can be found throughout Walt Disney World, be sure to keep an eye out as you make your way around property. In the meantime, here is a Woody Huckster for your desktop.
Antique and elegant automobiles can be found throughout Walt Disney World, be sure to keep an eye out as you make your way around property. In the meantime, here is a Woody Huckster for your desktop.
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Commassary Lane
The emotional responses created by the sights and sounds of Walt Disney World are a part of the human experience. Another quality of the human experience is the ability to make mistakes, a trait that even Walt Disney World is not impervious to, especially typos.
Take, for example the Gate 1 guardhouse at Disney’s Hollywood Studios. As the entrance to Commissary Lane, it keeps the eateries, sets, and backstage areas closed off to star seekers and unauthorized personnel. Yet, the log for those coming and going through Commissary Lane misspells the location, instead referring to the area as Commassary Lane.
On the resort side of Walt Disney World, Fort Wilderness offers us this sign about the restriction of pets. While the sign may seem straight forward enough, the quotation marks indicate that this is a direct quote from someone else. If you are going by what is simply on the sign, you would have to think that they are quoting someone named Thank You, which is clearly not the intent.
These signage misspeaks, while amusing, show us that nothing is perfect anywhere, not even in Walt Disney World. Where there are little things, like these typos or flaking paint on a boat, there is often a solution around an upcoming corner. The same goes for all aspects of Walt Disney World. Though we may not always like the solution, or how long it takes to arrive, it is that part of the human experience, the continual growing, learning, and experimenting which occasionally leads to an error, that binds each of us to the other.
These signage misspeaks, while amusing, show us that nothing is perfect anywhere, not even in Walt Disney World. Where there are little things, like these typos or flaking paint on a boat, there is often a solution around an upcoming corner. The same goes for all aspects of Walt Disney World. Though we may not always like the solution, or how long it takes to arrive, it is that part of the human experience, the continual growing, learning, and experimenting which occasionally leads to an error, that binds each of us to the other.
13 May 2009
Dancing hippo
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