Inside the Villains In Vogue section of World of Disney at Downtown Disney, not to be confused with the Villains In Vogue shop found inside of Disney’s Hollywood Studios, the best attributes of the worst villains have found a home, or should I say hideout? Artists have found a way to animate the dramatic glares of four classic villains in mural collages. The nuances of each piece, the details that can be gleamed from them and the life that is brought to each character is remarkable. Even though they are artistic representations, I still found myself with a shiver spiraling down my spine.
20 January 2011
Sure to get a fright
Not being artistically inclined myself, but having enjoyed the medium since I was a wee lad, I have got to believe that it is more fun to animate villains than heroes. Their wardrobe is sensational, their accessories are priceless and their look is incredibly distinctive, what’s not to love? Oh yes, I forgot one thing, how expressive their eyes are.
Inside the Villains In Vogue section of World of Disney at Downtown Disney, not to be confused with the Villains In Vogue shop found inside of Disney’s Hollywood Studios, the best attributes of the worst villains have found a home, or should I say hideout? Artists have found a way to animate the dramatic glares of four classic villains in mural collages. The nuances of each piece, the details that can be gleamed from them and the life that is brought to each character is remarkable. Even though they are artistic representations, I still found myself with a shiver spiraling down my spine.


Inside the Villains In Vogue section of World of Disney at Downtown Disney, not to be confused with the Villains In Vogue shop found inside of Disney’s Hollywood Studios, the best attributes of the worst villains have found a home, or should I say hideout? Artists have found a way to animate the dramatic glares of four classic villains in mural collages. The nuances of each piece, the details that can be gleamed from them and the life that is brought to each character is remarkable. Even though they are artistic representations, I still found myself with a shiver spiraling down my spine.
19 January 2011
Really beef up this act
This cheeseburger comes decked out with sweet onion, sliced not diced, lettuce, tomato, diced avocado, cheddar cheese and special sauce. Oh, and it is worth mentioning that the burger portion of this sandwich is a third pound (prior to cooking) Angus patty. Even with all of the veggies piled high atop this burger, I am not going to insult anyone’s intelligence by stating it is a healthier option than some of the other burger offerings found around Walt Disney World. The question is, how does this vegetable combo stack up?
Don’t get me wrong, the avocado was a delicious addition to the sandwich, but the chunky nature of the element felt more like a homemade guacamole. The texture of the avocado made this a very messy burger to devour, but I persevered. Perhaps a better vehicle for the avocado in this situation would be to add slices of avocado, not the chunks.
All in all, this is a burger worth a taste test, especially if you like avocado in your sandwiches. It may be messy to eat, make sure to grab a fork before you sit down, but the mixture of flavors and fresh veggies will make it all worth it.
18 January 2011
A careless bear
Children’s books and Walt Disney World have a curious history. Perhaps the most curious part of their relationship is the fact that publications, from in park souvenirs to Little Golden Books, were produced time and again in the early years of the park and then the line of books seemed to abruptly stop.
The Country Bear Jamboree, an opening day attraction at Walt Disney World’s Magic Kingdom that soon spread to other parks, had a book all its own, Big Albert Moves In. In this children’s book from 1971, Big Albert is a bear that likes to eat and play his guitar, but is slow to worry about winter. When winter arrives and Big Al isn’t welcomed in their homes, his misadventures begin. Finally, and this shouldn’t spoil the book or attraction for anyone, Big Al comes to the Magic Kingdom, finds Grizzly Hall, and is invited to stay as one of the performing bears.
The book is fun to read, especially if you have a fondness for the Country Bears or Big Al in particular. I do wish Big Albert Moves In had more of a lesson to it, as Big Albert does not prepare but eventually finds a life better than the one he had, which doesn’t grant children any insight into a moral compass. As a reminder of a favorite attraction, or preview of what children had to look forward to on a trip to Walt Disney World, however, this book suits me just fine.
17 January 2011
Preview of the construction site
Forty years ago when Walt Disney World was being constructed, there were only a scant few avenues that kept up to date information on the project. Major news papers across the country, any publication inside the state of Florida, and the Walt Disney World Preview Center were the best outlets available for construction news and ideas about what was coming. Times have changed, but the process by which information is doled out remains stuck in the past.
Walt Disney World learned from the Walt Disney World Preview Center that guests wanted to know more and see more about their grand construction projects. So, when it came time to highlight the work being done for EPCOT Center, not only was there a preview center on Main Street U.S.A., but guests could also obtain passage through the construction of the park via the newly completed monorail line to EPCOT Center. When combined with the exhibits of the preview center, this trip aboard the monorail provided the perfect view of Walt Disney World’s future and was the pinnacle of previews. Since then, however, the idea of letting guests in on the secret seems to have vanished.
Not since the construction of Disney’s Animal Kingdom has there been a larger project, on a singular site, as currently resides on the backside of Fantasyland in the Magic Kingdom. And yet, guests are relegated to a few bits of information and concept art posted along the front of the refurbishment walls. There is more information available through online resources, but even those communications are often dated by the fact that so few facts are being released. What is missing, for a project of this size, is an actual preview center. Even more important, and blatantly missing, is a way to view the project.
Guests are not blind, they see the walls and know what lies behind them, with or without the hints from cranes and steel girders. What they really want to know is what is being built behind the great wall of plywood. Without a monorail whizzing through Fantasyland, the obvious idea for viewing construction in progress would be a viewing platform or, for worldwide audiences, live webcams. Instead, guests’ sole means of catching a glimpse of Fantasyland expansion is by booking passage aboard Dumbo the Flying Elephant. With plans calling for Dumbo to be moved to a new location, soon guests will have no vehicle with which to view the building of a forest.
Let me be clear, I don’t believe every refurbishment or project needs, or deserves, a lavish preview. However, with a project the size and magnitude of the Fantasyland expansion, is there really any reason not to let guests in?
At this point in entertainment history, when DVDs and Blu-rays come equipped with hours of content dedicated to the construction of a single film, when it is blindingly obvious that guests like to know the how of an attraction almost as much as an attraction itself, isn’t it time to find a way to keep guests more involved in the process? Being able to survey the site daily with streaming video or walk up a ramp and watch the buildings begin to take shape are only two of the options that could have grown out of those preview monorails to tomorrow. The question must not be whether guests should be able to see the future of Fantasyland, but how best to integrate them into the experience.
Walt Disney World learned from the Walt Disney World Preview Center that guests wanted to know more and see more about their grand construction projects. So, when it came time to highlight the work being done for EPCOT Center, not only was there a preview center on Main Street U.S.A., but guests could also obtain passage through the construction of the park via the newly completed monorail line to EPCOT Center. When combined with the exhibits of the preview center, this trip aboard the monorail provided the perfect view of Walt Disney World’s future and was the pinnacle of previews. Since then, however, the idea of letting guests in on the secret seems to have vanished.
Guests are not blind, they see the walls and know what lies behind them, with or without the hints from cranes and steel girders. What they really want to know is what is being built behind the great wall of plywood. Without a monorail whizzing through Fantasyland, the obvious idea for viewing construction in progress would be a viewing platform or, for worldwide audiences, live webcams. Instead, guests’ sole means of catching a glimpse of Fantasyland expansion is by booking passage aboard Dumbo the Flying Elephant. With plans calling for Dumbo to be moved to a new location, soon guests will have no vehicle with which to view the building of a forest.
Let me be clear, I don’t believe every refurbishment or project needs, or deserves, a lavish preview. However, with a project the size and magnitude of the Fantasyland expansion, is there really any reason not to let guests in?
At this point in entertainment history, when DVDs and Blu-rays come equipped with hours of content dedicated to the construction of a single film, when it is blindingly obvious that guests like to know the how of an attraction almost as much as an attraction itself, isn’t it time to find a way to keep guests more involved in the process? Being able to survey the site daily with streaming video or walk up a ramp and watch the buildings begin to take shape are only two of the options that could have grown out of those preview monorails to tomorrow. The question must not be whether guests should be able to see the future of Fantasyland, but how best to integrate them into the experience.
16 January 2011
Disney This Week - 16 January 2011
Floyd Norman shares a great narrative on sketching Walt Disney and the history of picking on the boss at Mr. Fun.
Michael Crawford showcases a terrific piece of art for a Polynesian Resort that never was at Progress City U.S.A.
Disney Every Day insider, Amanda Tinney, offers a great alternative to Disney’s Animal Kingdom in Kidani Village.
With the patience of a Jedi, Matt Hochberg gives readers the breakdown on when to expect a Star Wars Weekend announcement and what events will be on tap this spring at Studios Central.
On Imagineering Disney, Fritz shares a miniature recreation of the jail scene from Pirates of the Caribbean.
George Taylor showcases the new additions to his library at Imaginerding, and added to my library needs in the process. Thanks a lot, George!
SamLand’s Disney Adventures continues to tell the tale of Disney’s America through the pen of Sam Gennawey.
Melissa Loflin does an incredible job breaking down her experience with Picnic in the Park at Disney’s Animal Kingdom for Makin’ Memories.
DisneyShawn and Shawn Slater examine the history of the submarine fleet found at Disneyland.
George Savvas continues his great look at Disneyland past with a pair of images featuring Guy Williams, aka Zorro, in the park on the Disney Parks Blog.
AJ takes her foodie followers off the beaten path for a meal at The Fountain on The Disney Food Blog.
Disney at Work scribe, J. Jeff Kober, gives readers insight into the maddening times known as Pixie Dust Panic.
The Sacred Tree of the Aracuan Bird shares some wonderful cookie jars that proves what pirates have between their ears.
Jim Fanning dishes on Walt Disney and his infamous mustache at Tulgey Wood.
Michael Crawford showcases a terrific piece of art for a Polynesian Resort that never was at Progress City U.S.A.
Disney Every Day insider, Amanda Tinney, offers a great alternative to Disney’s Animal Kingdom in Kidani Village.
With the patience of a Jedi, Matt Hochberg gives readers the breakdown on when to expect a Star Wars Weekend announcement and what events will be on tap this spring at Studios Central.
On Imagineering Disney, Fritz shares a miniature recreation of the jail scene from Pirates of the Caribbean.
George Taylor showcases the new additions to his library at Imaginerding, and added to my library needs in the process. Thanks a lot, George!
SamLand’s Disney Adventures continues to tell the tale of Disney’s America through the pen of Sam Gennawey.
Melissa Loflin does an incredible job breaking down her experience with Picnic in the Park at Disney’s Animal Kingdom for Makin’ Memories.
DisneyShawn and Shawn Slater examine the history of the submarine fleet found at Disneyland.
George Savvas continues his great look at Disneyland past with a pair of images featuring Guy Williams, aka Zorro, in the park on the Disney Parks Blog.
AJ takes her foodie followers off the beaten path for a meal at The Fountain on The Disney Food Blog.
Disney at Work scribe, J. Jeff Kober, gives readers insight into the maddening times known as Pixie Dust Panic.
The Sacred Tree of the Aracuan Bird shares some wonderful cookie jars that proves what pirates have between their ears.
Jim Fanning dishes on Walt Disney and his infamous mustache at Tulgey Wood.
14 January 2011
Shipping of freight
The Magic Kingdom is filled with myths and legends, some that are based on fact and others that are total works of fiction. When it comes to the stories of Frontierland, the pioneer spirit has always been embodied in the man known as Davy Crockett. But what about the other characters that filled the tales of the King of the Wild Frontier, specifically that braggart turned buddy, Mike Fink. Turns out, he has his own special place along the river.
Mike Fink was a real keelboater, often referred to as the king of the keelboaters. His larger than life personality spawned many stories, including his insertion in two episodes of the Disneyland television series that aired in 1955. In the two episodes, Davy Crockett’s Keelboat Race and Davy Crockett and the River Pirates. In the first of the two encounters with Crockett, Mike Fink is portrayed as the King of the River and enters into a race with the King of the Wild Frontier. In the second, the pair of kings team up to take on pirates that have been plaguing the river.
When it comes to the theme parks however, Mike Fink and his recognizable keelboats, the Gullywhumper and Bertha Mae, began plying the waters of Disneyland in December of 1955 and were an opening day fixture of Walt Disney World in 1971. Although the boats themselves have been retired at both parks since 1997, Mike Fink still has a presence along the banks of the Rivers of America. At the foot of Big Thunder Mountain, viewable from the deck of the Liberty Belle or from Tom Sawyer Island, is a small dock run by none other than Mike Fink. Claiming both freight and passenger services, the King of the River still calls the waterways home in the Magic Kingdom, if only in name.
Mike Fink was a real keelboater, often referred to as the king of the keelboaters. His larger than life personality spawned many stories, including his insertion in two episodes of the Disneyland television series that aired in 1955. In the two episodes, Davy Crockett’s Keelboat Race and Davy Crockett and the River Pirates. In the first of the two encounters with Crockett, Mike Fink is portrayed as the King of the River and enters into a race with the King of the Wild Frontier. In the second, the pair of kings team up to take on pirates that have been plaguing the river.
When it comes to the theme parks however, Mike Fink and his recognizable keelboats, the Gullywhumper and Bertha Mae, began plying the waters of Disneyland in December of 1955 and were an opening day fixture of Walt Disney World in 1971. Although the boats themselves have been retired at both parks since 1997, Mike Fink still has a presence along the banks of the Rivers of America. At the foot of Big Thunder Mountain, viewable from the deck of the Liberty Belle or from Tom Sawyer Island, is a small dock run by none other than Mike Fink. Claiming both freight and passenger services, the King of the River still calls the waterways home in the Magic Kingdom, if only in name.
13 January 2011
Plazas and storytellers
The details that fill the empty spaces, completing the stories of Walt Disney World never sparkle more than at night. This is especially true of the lampposts in Epcot’s World Showcase. Unlike their culturally diverse brethren, the lights in Future World are not always as distinct.
There are short, half lamps that have populated the footpaths of Future World since the park’s opening in 1982. Then there are a few scattered lamps, full-sized, that add to the scenes they inhabit. From the street lamps of Test Track to the oddly branched lanterns of Imagination, the lampposts of Future World light the way forward, illuminate the tales presented and are terrific details worth looking up for.





There are short, half lamps that have populated the footpaths of Future World since the park’s opening in 1982. Then there are a few scattered lamps, full-sized, that add to the scenes they inhabit. From the street lamps of Test Track to the oddly branched lanterns of Imagination, the lampposts of Future World light the way forward, illuminate the tales presented and are terrific details worth looking up for.
12 January 2011
Leave room for dessert
11 January 2011
Vacationland
Back when I was a kid in elementary school, I always looked forward to Fridays. Sure, there were spelling tests and once free from school there was a whole weekend to explore, but one of my favorite parts of Friday was when the teacher handed out a new edition of Weekly Reader.
The reading comprehension based educational materials from Weekly Reader have been produced for well over a hundred years now. When I was a kid I didn’t know I was learning, it was simply interesting articles about extreme sports, new movies and some clever puzzles to solve. I hope it is still as intriguing to students today as it was to me back then.
Going back even further, the summer edition of Weekly Reader from 1971 gave children a peak at what was coming from a little Disney project in central Florida. The cover shows a child constructing his own castle and encouraging his dog to help out as opening day was only two months away. The interior article featured three construction images and a brief description to whet the appetite of vacation hungry students.
The real joy of this issue, however, comes from the perfectly gorgeous map of the park, monorails and Contemporary Resort. The attraction names weren’t released with the publication, listing instead Car Ride, Tree House and Resort Hotel, but the spirit of what the Magic Kingdom was and would become is definitely captured in this artwork.
The reading comprehension based educational materials from Weekly Reader have been produced for well over a hundred years now. When I was a kid I didn’t know I was learning, it was simply interesting articles about extreme sports, new movies and some clever puzzles to solve. I hope it is still as intriguing to students today as it was to me back then.Going back even further, the summer edition of Weekly Reader from 1971 gave children a peak at what was coming from a little Disney project in central Florida. The cover shows a child constructing his own castle and encouraging his dog to help out as opening day was only two months away. The interior article featured three construction images and a brief description to whet the appetite of vacation hungry students.
The real joy of this issue, however, comes from the perfectly gorgeous map of the park, monorails and Contemporary Resort. The attraction names weren’t released with the publication, listing instead Car Ride, Tree House and Resort Hotel, but the spirit of what the Magic Kingdom was and would become is definitely captured in this artwork.
10 January 2011
On a heavy dew
When thinking about the transportation of Walt Disney World, monorails often whisk by in our dreams and overcrowded buses fill our nightmares. Sure, on occasion, someone will think or talk about the ferries from the Transportation and Ticket Center to the Magic Kingdom, but as a whole boats are not highly discussed or traveled. That’s great for someone like me who loves traveling by water and never faces over crowded watercraft, but, in all honesty, the boats are a truly wonderful way to travel.
Everyone knows about the fleet of ferries that, well, ferry guests to and from the Transportation and Ticket Center and the main parking lot of Walt Disney World. However, few guests actually climb aboard the ship unless there is a massive line for the monorail. I understand, the monorail will generally get guests to the Magic Kingdom’s entrance a lot quicker. But there is an inherent magic that comes from climbing the stairs to the second level of the ferry, watching other ships go by, the monorail soaring behind palm trees, the unique views of the park and resorts, and the breeze rustling your hair while you lean on the rails. Add in a all of these features with a twilight trip, and you have a truly magical moment.
World Showcase and Disney’s Hollywood Studios, along with the resorts in between, also have a unique water traveling experience called the Friendships. Whether puttering around the World Showcase Lagoon and moseying along between the two parks, the Friendships aren’t as timeless as the ferries, and only offer a single row of outdoor seating. But the unique views and perspectives they offer are awesome. There’s just something about catching a glimpse of the Hollywood Tower Hotel, in profile, with a gangly mess of Florida vegetation between you and the hotel, almost daring you to cut a swath to the haunted, abandoned tower.
Finally, my favorite water vehicle, the Motor Launch. These open air, blue canopied watercraft have been carrying me around Bay Lake and the Seven Seas Lagoon since I was a little tike. Call it nostalgia or some ill-placed notion that there is a more stylish way to travel, but the Motor Launches retain their sense of yesterday when all of Walt Disney World is moving forward. Passing by River Country and Discovery Island, pulling up to the dock at the Contemporary, and slowly moving through the manmade waterways just feels right when you’re a passenger on one of these boats.
I’m not saying that everyone should abandon the busses and monorail loops in exchange for plying the waterways. With time as limited as it is at Walt Disney World, that would cause even the happiest of vacations to sour. What I am asking, however, is that at some point during a trip, each and every guest takes a moment for a single voyage to truly appreciate the craft that ferry guests, memories and the spirit of a simpler time.
Everyone knows about the fleet of ferries that, well, ferry guests to and from the Transportation and Ticket Center and the main parking lot of Walt Disney World. However, few guests actually climb aboard the ship unless there is a massive line for the monorail. I understand, the monorail will generally get guests to the Magic Kingdom’s entrance a lot quicker. But there is an inherent magic that comes from climbing the stairs to the second level of the ferry, watching other ships go by, the monorail soaring behind palm trees, the unique views of the park and resorts, and the breeze rustling your hair while you lean on the rails. Add in a all of these features with a twilight trip, and you have a truly magical moment.
World Showcase and Disney’s Hollywood Studios, along with the resorts in between, also have a unique water traveling experience called the Friendships. Whether puttering around the World Showcase Lagoon and moseying along between the two parks, the Friendships aren’t as timeless as the ferries, and only offer a single row of outdoor seating. But the unique views and perspectives they offer are awesome. There’s just something about catching a glimpse of the Hollywood Tower Hotel, in profile, with a gangly mess of Florida vegetation between you and the hotel, almost daring you to cut a swath to the haunted, abandoned tower.
Finally, my favorite water vehicle, the Motor Launch. These open air, blue canopied watercraft have been carrying me around Bay Lake and the Seven Seas Lagoon since I was a little tike. Call it nostalgia or some ill-placed notion that there is a more stylish way to travel, but the Motor Launches retain their sense of yesterday when all of Walt Disney World is moving forward. Passing by River Country and Discovery Island, pulling up to the dock at the Contemporary, and slowly moving through the manmade waterways just feels right when you’re a passenger on one of these boats.I’m not saying that everyone should abandon the busses and monorail loops in exchange for plying the waterways. With time as limited as it is at Walt Disney World, that would cause even the happiest of vacations to sour. What I am asking, however, is that at some point during a trip, each and every guest takes a moment for a single voyage to truly appreciate the craft that ferry guests, memories and the spirit of a simpler time.
09 January 2011
Disney This Week - 9 January 2011
Amanda Tinney brings our attention to a great cause at a great destination on Disney Every Day.
AJ continues herlove affair with La Cava del Tequila at The Disney Food Blog.
Studios Central author, Matt Hochberg, dispenses the wisdom ofThe Mystic Seer .
Melissa Loflin chows down on theLunching Pad’s specialty hot dogs for Makin’ Memories.
SamLand’s Disney Adventure returns to its roots when Sam Gennawey breaks downthe design of Disneyland’s Main Street U.S.A.
Greg Grimsley continues to showcase hisremarkable, and Rock ’n,’ eye for night photographs at The Disney Obsession.
In breaking food news, ZannaLand has everyone covered when Suzannah DiMarzio uncovers thechanges to Via Napoli’s dessert menu .
As the year wound down, DisneyShawn and Shawn Slater looked at some of his favorite things, includingprops from Disney past .
Pam Brandon and the Disney Parks Blog gave me a late Christmas present,a set of gourmet burgers to devour this weekend in the name of research.
Imaginerding scribe, George Taylor, reminds us aboutthe heart of EPCOT Center .
Michael Crawford gives readers of Progress City U.S.A. a wonderful gift,A Christmas adventure in Disneyland .
Eating (and Drinking) around the World host, Andy Jackson, shows offthe chefs that keep watch in his kitchen .
AJ continues her
Studios Central author, Matt Hochberg, dispenses the wisdom of
Melissa Loflin chows down on the
SamLand’s Disney Adventure returns to its roots when Sam Gennawey breaks down
Greg Grimsley continues to showcase his
In breaking food news, ZannaLand has everyone covered when Suzannah DiMarzio uncovers the
As the year wound down, DisneyShawn and Shawn Slater looked at some of his favorite things, including
Pam Brandon and the Disney Parks Blog gave me a late Christmas present,
Imaginerding scribe, George Taylor, reminds us about
Michael Crawford gives readers of Progress City U.S.A. a wonderful gift,
Eating (and Drinking) around the World host, Andy Jackson, shows off
07 January 2011
We'll always have Paris
It’s been a while since we examined a crate from anywhere around Walt Disney World, but I think it is time to rectify this oversight. The crates have a wonderful way of making a waterfront, say that of Frontierland, give off the sense this place is indeed a functioning society. When studied just a bit closer, the names and places offer lessons in history, literacy, conservation, entertainment and much more.
The set of crates sitting on the wharf near Min and Bill’s Dockside Diner, in the Echo Lake region of Disney’s Hollywood Studios, have been well documented over the years. Each ties to a character from a classic Hollywood screen tale, and fleshes out a bit of the character’s story. Today, we’re pouring over my favorite box, the crate belonging to Rick Blaine.
Rick Blaine, the ‘stick my neck out for nobody’ tavern keeper in Casablanca, was played by Humphrey Bogart. Looking at the crate line by line, his name and establishment, Rick’s CafĂ© Americain, in addition to the city and country of Casablanca, Morocco, are the easiest labels to identify as they are all present in the film itself. The street address for Rick’s, however, is a bit trickier. 112642 Rue Renault actually refers to two separate pieces of the film. Rue, the French word for street, Renault concerns the character of Captain Louie Renault, the charming, if weak, French commander played by Claude Rains. The street number of 112642 is actually a date, November 26, 1942 which is the date Casablanca had its premiere in New York City.
Although we cannot look inside, the box is the perfect size for several well-packaged bottles of wine or liquor, and one can imagine Rick schlepping the crate from Ferrari’s Blue Parrot back to Rick’s CafĂ© Americain. This idea is further fleshed out by the sender of the crate, Curtiz Wine and Spirits, Ltd. And in case you are wondering, Curtiz is a reference to Michael Curtiz, Casablanca’s director.
These crates at Disney’s Hollywood Studios not only supply the created world of Echo Lake with life, but also a wealth of information about the films themselves, if one is willing to take the time to dig a little. All this talk about Casablanca makes me want to throw on a fedora and plant myself in a comfortable chair to watch the classic film. Here’s lookin’ at you, kids.
The set of crates sitting on the wharf near Min and Bill’s Dockside Diner, in the Echo Lake region of Disney’s Hollywood Studios, have been well documented over the years. Each ties to a character from a classic Hollywood screen tale, and fleshes out a bit of the character’s story. Today, we’re pouring over my favorite box, the crate belonging to Rick Blaine.
Rick Blaine, the ‘stick my neck out for nobody’ tavern keeper in Casablanca, was played by Humphrey Bogart. Looking at the crate line by line, his name and establishment, Rick’s CafĂ© Americain, in addition to the city and country of Casablanca, Morocco, are the easiest labels to identify as they are all present in the film itself. The street address for Rick’s, however, is a bit trickier. 112642 Rue Renault actually refers to two separate pieces of the film. Rue, the French word for street, Renault concerns the character of Captain Louie Renault, the charming, if weak, French commander played by Claude Rains. The street number of 112642 is actually a date, November 26, 1942 which is the date Casablanca had its premiere in New York City.
Although we cannot look inside, the box is the perfect size for several well-packaged bottles of wine or liquor, and one can imagine Rick schlepping the crate from Ferrari’s Blue Parrot back to Rick’s CafĂ© Americain. This idea is further fleshed out by the sender of the crate, Curtiz Wine and Spirits, Ltd. And in case you are wondering, Curtiz is a reference to Michael Curtiz, Casablanca’s director.These crates at Disney’s Hollywood Studios not only supply the created world of Echo Lake with life, but also a wealth of information about the films themselves, if one is willing to take the time to dig a little. All this talk about Casablanca makes me want to throw on a fedora and plant myself in a comfortable chair to watch the classic film. Here’s lookin’ at you, kids.
06 January 2011
Bachelor group area
Maybe I was fondly remembering my own bachelor days (although there wasn’t that much to remember fondly from those days, but that’s another story), but during a recent trip to Disney’s Animal Kingdom, I spent quite a bit of time on the Pangani Forest Exploration Trail just watching the bachelor group area of the Western Lowland Gorilla compound.
The Western Lowland Gorilla males are known as silverbacks are amongst the strongest, but least aggressive of all known primates. The males can weigh up to six hundred pounds and stand up to six feet tall, while their reach can be up to eight feet from fingertip to fingertip. That impressive wingspan comes in handy for their chest beating displays, which are for show and not demonstrations of aggression.
In a troop group, the Western Lowland Gorillas can be seen nesting, cooperatively grooming, playful wrestling and harmoniously coexisting. Yet, for the bachelors, it is a lot of sleeping, eating (bamboo, fruit and other plants), roaming aimlessly, and chest thumping exhibitions. And yet, the do it all with so much more majesty than anyone did in my bachelor years.





The Western Lowland Gorilla males are known as silverbacks are amongst the strongest, but least aggressive of all known primates. The males can weigh up to six hundred pounds and stand up to six feet tall, while their reach can be up to eight feet from fingertip to fingertip. That impressive wingspan comes in handy for their chest beating displays, which are for show and not demonstrations of aggression.
In a troop group, the Western Lowland Gorillas can be seen nesting, cooperatively grooming, playful wrestling and harmoniously coexisting. Yet, for the bachelors, it is a lot of sleeping, eating (bamboo, fruit and other plants), roaming aimlessly, and chest thumping exhibitions. And yet, the do it all with so much more majesty than anyone did in my bachelor years.





05 January 2011
American flavors
Scattered throughout Walt Disney World are wonderful meals waiting to happen. They may not always find them where you expect them, and where you expect them you may not always find them, but they out there waiting to be devoured! When I sat down at The Wave, inside the Contemporary Resort, a couple of months ago my expectations were high and my mouth was watering.
Just entering The Wave is an experience. Granted, this establishment doesn’t occupy a space on the fabled Grand Canyon Concourse, but, once you begin walking down the long ramp, segmented by partial metal couplings, the entire experience changes. The bar area has several lounges awash in blue light in filled with plenty of soft places to sit. Once inside the restaurant, the tables rest underneath a sea of rolling, perforated sheet metal with an amber light filling the dining room. While all of this could make a guest claustrophobic, especially with no windows, it actually creates a sense of warmth, perfect for dining with friends, family or a romantic rendezvous. That said, giving the dĂ©cor more than a passing glance could give someone the feeling that they are dining in the queue of Soarin’.
The night I dined at The Wave, I had the immeasurable pleasure of dining with five lovely ladies who graciously tolerated my photographing, pestering of the staff and questioning of their meals. That is also to say, with such a large group, I was able to gather a better grip on The Wave’s entire menu. I appreciate the ladies taking such wonderful care to sample as broad a range of dishes and deserts as they did, even going so far as to ask me what I needed for a review. Thank you, one and all!
At this juncture I should also mention the staff. Each person I came into contact with, from Heather, the manager who supplied me with a lifesaving copy of the menu (rather than have to work with my rubbish photographs), down to our waitress for the evening, Angela. Angela was prone to vanishing acts, but was completely competent when offering suggestions about food, which were some of the more economical menu items, and answer any and all questions the table had.
The wine cellar at The Wave was, in a word, extensive. What was nice to see on the New World Wine listing was a wide selection of known wine varietals with a substantial mix of varietals new to most American palates. While this allows the adventurous to partake in something new, such as my Penfolds GSM Bin 138 from Australia which blended Shiraz, Grenache and Mourvedre, or to partake in a favorite form, including the Spy Valley Pinot Noir one of my companions sampled.
Now, to get to the main course of this review, the food. For starters, the complimentary bread with butter covered in Hawaiian red salt was absolutely some of the best bread, save for Kouzzina, I’ve had on Disney property. The warm, fresh loaves had a complex texture and the velvety sensation the salt added to the butter made this a dish I could have easily filled up on.
As for our entrees, The Wave’s menu covered everything from seafood and pasta to a wide selection of meats prepared in an abundance of manners. Aside from some appetizers and one entrĂ©e, however, there was not a variety of vegetarian options. Here are the selections from my group: Roasted Tomato Bisque with Mini-Grilled Cheese Sandwiches; the Sustainable Fish of the Day (Salmon) with Edamame Stew and Cilantro Chutney; Grilled Beef Tenderloin with a Port Wine Porcini Sauce, Potato and Onion Gratin, and Braised Swiss Chard; Chili-marinated Flat Iron Steak with Grilled Vidalia Onions, Boniato Mash, Chipotle Barbecue Sauce, and Marinated Beet Salad; Apple Brined Pork Tenderloin with Bourbon Sweet Mashed Potatoes, Warm Spinach-Bacon Salad, and Sassafras Jus; and Linguini with Florida Littleneck Clams, Rock Shrimp, and chunky Tomato Broth.
With such a wide selection of dishes, the kitchen did an excellent job of preparing each item at the right time so that the entire meal arrived at the table hot. The meats were juicy and cooked just the way they had been ordered. As for the seafood, it was abundantly clear that these were fresh from the market. Where the main components of each entrée were new takes on classic dishes, the sides were not your typical accompaniments, but the courageous sides paired nicely with their respective dishes. No one was underwhelmed by their main course, and the feelings of the table ranged from happy to bowled-over impressed.
Moving on to the important stuff, dessert! The Sweet Temptations are four selections of three mini-desserts and, obviously, my stalwart group took one for the team and tried them all. Creamy Indulgence came with New York Cheesecake with House-made Seasonal Fruit Compote, Coffee Crème Brulee with Chocolate Biscotti, and Olive Oil-infused Chocolate Truffle Mousse. American Flavors included Mississippi Mud Pie with Vanilla Bean Ice Cream, Key Lime Cube with fresh Citrus Whipped Cream, and Boston Cream Pie. Freshly Made Gelato consisted of Popcorn, Rocky Road Chocolate, and Peanut Butter and Jelly Gelatos. The No Sugar Added Desserts contained Vanilla Bean Crème Brulee, Chocolate Mousse with Raspberry Coulis, and Sautéed Seasonal Fruit with Vanilla Panna Cotta. Everyone had a singular favorite dessert item, but the Olive Oil-infused Chocolate Truffle Mousse, Peanut Butter and Jelly Gelato, Key Lime Cube, and Coffee Crème Brulee were the belles of the sweet treats ball.
I would highly recommend The Wave to couples and groups of adults. While there is a children’s menu, the atmosphere and laid back nature and timeframe of a meal at The Wave lends itself to a more patient and mature audience. As for the menu itself, if a dish sounds delicious to you, odds are you are going to enjoy it, immensely. If you are looking for a fresh take on food, a slow paced date, or just time to relax and reflect on a wonderful vacation, The Wave should be a top choice.
04 January 2011
A wide variety of outdoor recreation
If a picture is worth a thousand words, and I have two images to talk about today, this article should top out somewhere around two-thousand words, right? Don’t worry, I won’t make you listen to that much of my gibberish. We are, however, going to compare a pair of images from early on in Fort Wilderness’ campaign to attract campers.
This first image is one that many will recognize as one of the first postcards produced for the roughing it retreat. In fact, the logo on the back of the postcard was even printed in blue ink and included the Florida flag which demarked early Walt Disney World postcards and, in the flag‘s case, began being removed sometime around 1975. The text includes all the outdoor recreational highlights featured in the front vista and then some. So, what do we have here? A trailer set up with folding chairs to lounge upon, a canoe excursion, fishing along the bank and horseback riding, all set against the backdrop of live oaks, slash pines and palmettos. This selection of recreation is precisely the message Walt Disney World wanted to send about Fort Wilderness. How can I be so sure? By jumping ahead a few years to a 1979 press photo.
Notice any similarities? Trailer, check. Folding chairs, check. Active canoeing, check. River fishing, check. Horseback riding, check. Almost a decade after it had opened to the public, Fort Wilderness was still sending out the same recreational message to potential guests that it had been in its early years. If its not broke, don’t fix it, right?
These days, a majority of the underbrush that gave Fort Wilderness the sensation of roughing it has disappeared, but the recreational have remained and even expanded. While there has been plenty lost in and around Fort Wilderness (I’m looking at you River Country and Discovery Island), the rustic Florida backdrop and outdoor activities continue to attract new guests and spark memories in guests returning to the stomping ground. Oh, and did I mention the fried chicken?
This first image is one that many will recognize as one of the first postcards produced for the roughing it retreat. In fact, the logo on the back of the postcard was even printed in blue ink and included the Florida flag which demarked early Walt Disney World postcards and, in the flag‘s case, began being removed sometime around 1975. The text includes all the outdoor recreational highlights featured in the front vista and then some. So, what do we have here? A trailer set up with folding chairs to lounge upon, a canoe excursion, fishing along the bank and horseback riding, all set against the backdrop of live oaks, slash pines and palmettos. This selection of recreation is precisely the message Walt Disney World wanted to send about Fort Wilderness. How can I be so sure? By jumping ahead a few years to a 1979 press photo.
Notice any similarities? Trailer, check. Folding chairs, check. Active canoeing, check. River fishing, check. Horseback riding, check. Almost a decade after it had opened to the public, Fort Wilderness was still sending out the same recreational message to potential guests that it had been in its early years. If its not broke, don’t fix it, right?These days, a majority of the underbrush that gave Fort Wilderness the sensation of roughing it has disappeared, but the recreational have remained and even expanded. While there has been plenty lost in and around Fort Wilderness (I’m looking at you River Country and Discovery Island), the rustic Florida backdrop and outdoor activities continue to attract new guests and spark memories in guests returning to the stomping ground. Oh, and did I mention the fried chicken?
03 January 2011
It's good to be bad
Once upon a time, there was a faraway kingdom filled with adventures and happy endings. The glimmering spires of the castle were a beacon of peace to all who inhabited the realm. Far beyond the castle walls, tales were told of this Fantasyland in chateaus and wooded cottages. In these woods, however, there was also a warning about venturing further into the darkest parts of the forest. For there lived witches and ghoulies of the foulest sort.
Alright, so that may have been a bit dramatic, but just imagined a Fantasyland where the host of Disney villains had a proper home to hang their pointy hats! That’s right, boys and girls, were putting on our ‘what if’ caps today and exploring what could be as part of the Fantasyland expansion. With current plans in a state of flux, it is the perfect time to dare to dream.
Since the announcement of the Fantasyland expansion, there has been a single element gnawing at a number of guests, the princess and girl-centric ideas permeating the plans. From the princess meet and greets to the Pixie Hollow redo of Mickey’s Toontown Fair, nothing seemed to scream out to little boys and boys at heart. The bland answer would be that boys have Frontierland, Tomorrowland and Adventureland, but in all honesty, there is appeal in all of these lands for girls as well. Having been a boy myself, many moons ago, I can let you all in on a little secret… boys love to play villains just as much as they love to play the heroes.
Expanding Fantasyland to be more inclusive of villains is not a new concept. During the waning days of the last century, there were discussions about the creation of a Villains Mountain area near the abandoned 20,000 Leagues Under the Sea. The concept, would have included crocked cobblestone alleys leading towards Bald Mountain. Inside a cave, guests would have boarded sinister flume boats, modeled upon Hades skeletal dinghy from Hercules, and move in for a closer look at a villainous gathering. Upon startling the collection of malcontents, which would include all the most posh villains like Maleficient, Captain Hook, Hades, Cruella De Vil, Jafar and so on, the flume ferry would begin making a mad dash through the caverns in an attempt to escape. After encountering a few nasty surprises and enraged evildoers, the guests would find the only way out would be down a massive waterfall, similar to the briar patch fling of Splash Mountain.
Obviously, looking at the space available and what has already been claimed by new construction, this attraction could not be added to the area today. However, no good idea never dies, but it can be cannibalized into something new in the greatest of villain traditions. With the space left from Fantasyland and the soon to be razed Mickey’s Toontown Fair, there is enough land for some baddie building. In the new construction, we know forced perspective is going to be applied to the Beast’s castle, from Beauty and the Beast, why not apply the same laws of sight to a far off Bald Mountain. Jagged cobblestone alleys with apothecaries, roving villains, storytellers with a tender spot for evildoers, tailors and armories could lead to a scaled down villain attraction.
With all the emphasis being placed on interactive attractions these days, the main draw in this land could be an amalgamation of the concept of Villain Mountain and Buzz Lightyear’s Space Ranger Spin/Toy Story Midway Mania. In such an attraction, guests would once again startle the plotting villains, sending them into a tizzy. The guests in this adventure, however, would not be completely unarmed. Using magic wands or potion producers, the guest could spring traps on the villains, open doors, send gates crashing down, cast diversions, blast minor bad guys and eventually escape.
Boys and girls alike, not to mention parents and older siblings, would relive their battles for years to come. Of course, who actually knows what will happen with Phase 2 of the Fantasyland expansion. While I would be ecstatic to see villains finally given a lair of the own, I’d be just as happy with a massive Never Never Land complex with Hangman’s Tree, or a thousand other ideas. The real question is, what would you add to Fantasyland to make it appeal across the gender divide?
Alright, so that may have been a bit dramatic, but just imagined a Fantasyland where the host of Disney villains had a proper home to hang their pointy hats! That’s right, boys and girls, were putting on our ‘what if’ caps today and exploring what could be as part of the Fantasyland expansion. With current plans in a state of flux, it is the perfect time to dare to dream.
Since the announcement of the Fantasyland expansion, there has been a single element gnawing at a number of guests, the princess and girl-centric ideas permeating the plans. From the princess meet and greets to the Pixie Hollow redo of Mickey’s Toontown Fair, nothing seemed to scream out to little boys and boys at heart. The bland answer would be that boys have Frontierland, Tomorrowland and Adventureland, but in all honesty, there is appeal in all of these lands for girls as well. Having been a boy myself, many moons ago, I can let you all in on a little secret… boys love to play villains just as much as they love to play the heroes.
Expanding Fantasyland to be more inclusive of villains is not a new concept. During the waning days of the last century, there were discussions about the creation of a Villains Mountain area near the abandoned 20,000 Leagues Under the Sea. The concept, would have included crocked cobblestone alleys leading towards Bald Mountain. Inside a cave, guests would have boarded sinister flume boats, modeled upon Hades skeletal dinghy from Hercules, and move in for a closer look at a villainous gathering. Upon startling the collection of malcontents, which would include all the most posh villains like Maleficient, Captain Hook, Hades, Cruella De Vil, Jafar and so on, the flume ferry would begin making a mad dash through the caverns in an attempt to escape. After encountering a few nasty surprises and enraged evildoers, the guests would find the only way out would be down a massive waterfall, similar to the briar patch fling of Splash Mountain.Obviously, looking at the space available and what has already been claimed by new construction, this attraction could not be added to the area today. However, no good idea never dies, but it can be cannibalized into something new in the greatest of villain traditions. With the space left from Fantasyland and the soon to be razed Mickey’s Toontown Fair, there is enough land for some baddie building. In the new construction, we know forced perspective is going to be applied to the Beast’s castle, from Beauty and the Beast, why not apply the same laws of sight to a far off Bald Mountain. Jagged cobblestone alleys with apothecaries, roving villains, storytellers with a tender spot for evildoers, tailors and armories could lead to a scaled down villain attraction.
With all the emphasis being placed on interactive attractions these days, the main draw in this land could be an amalgamation of the concept of Villain Mountain and Buzz Lightyear’s Space Ranger Spin/Toy Story Midway Mania. In such an attraction, guests would once again startle the plotting villains, sending them into a tizzy. The guests in this adventure, however, would not be completely unarmed. Using magic wands or potion producers, the guest could spring traps on the villains, open doors, send gates crashing down, cast diversions, blast minor bad guys and eventually escape.
Boys and girls alike, not to mention parents and older siblings, would relive their battles for years to come. Of course, who actually knows what will happen with Phase 2 of the Fantasyland expansion. While I would be ecstatic to see villains finally given a lair of the own, I’d be just as happy with a massive Never Never Land complex with Hangman’s Tree, or a thousand other ideas. The real question is, what would you add to Fantasyland to make it appeal across the gender divide?
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